This is one of the joys of working in a bookstore, working with children and the authors they love, working with the teachers, librarians and parents who are all committed to making the kids in their lives literate and widely read. We may not make huge sales (note to self: remember that the first weeks in the Seattle schools is Book Fair week!), but the "ooh"s and excited chatter that erupt when the first story is read, the familiarity of meeting a new book in a series, makes it all worthwhile.
Mark has great control over his crowds. He laid out the rules before he got started ("If you have a question, raise your hand, and stay quiet so we can hear the question") and the kids, pretty much, followed along.
There was one open-ended question, "do you and your brothers and sisters squabble like that?", that provoked some amazingly intense discussion among the first, second, and third graders at Echo Lake Elementary School. The rise of chatter, like an entire rookery of crows calling, completely overwhelmed the hissing ssshhhs of the adults, and not one child noticed the upraised hand signal with the middle fingers closed tightly on the thumb signifying closed mouths. They had things to say and they were important! Each one of those kids had been victim to someone not letting them look out the other window, or the radio is on her side, or fingers walked over the duct tape separating them ("MOOOOMM! He's on my side!"). I sense a class in narrative non-fiction coming.
Questions next, pretty good ones, too. When did you start writing? About your age, dictating stories to Mom, drawing the pictures, then stapling the pages together. Where do you get your names? Keep a journal, write interesting names down, sometimes the names suggest what that character will be like. How do you make every drawing of Ike the same? Practice, practice, practice, I draw him over and over until it's right. One of the teachers asked, "How often do you rewrite your stories?" Over and over until it's right. "It could take 10 times?" I re-write until it's right, sometimes it takes a lot of rewriting until every word is right.
I love that authors tell kids that what they see in the book doesn't just happen, quick, like a finger-snap, that they work really hard, writing, sending it to an editor, rewriting, sending it away again, getting it back and working on it again. Maybe having to throw what may be your best words out because they don't work as well as others in this story. It validates the teacher and let's kids feel good about having to rewrite their own work. I can hear them now, "Even Mark Teague had to re-write his stories. And then he had to send it away! You can work on your story and have it back right now!"
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